This paper proposes a benchmark of submissions to Detection and Classification Acoustic Scene and Events 2021 Challenge (DCASE) Task 4 representing a sampling of the state-of-the-art in Sound Event Detection task. The submissions are evaluated according to the two polyphonic sound detection score scenarios proposed for the DCASE 2021 Challenge Task 4, which allow to make an analysis on whether submissions are designed to perform fine-grained temporal segmentation, coarse-grained temporal segmentation, or have been designed to be polyvalent on the scenarios proposed. We study the solutions proposed by participants to analyze their robustness to varying level target to non-target signal-to-noise ratio and to temporal localization of target sound events. A last experiment is proposed in order to study the impact of non-target events on systems outputs. Results show that systems adapted to provide coarse segmentation outputs are more robust to different target to non-target signal-to-noise ratio and, with the help of specific data augmentation methods, they are more robust to time localization of the original event. Results of the last experiment display that systems tend to spuriously predict short events when non-target events are present. This is particularly true for systems that are tailored to have a fine segmentation.

Detection and Classification Acoustic Scene and Events Challenge 2021 Task 4 uses a heterogeneous dataset that includes both recorded and synthetic soundscapes. Until recently only target sound events were considered when synthesizing the soundscapes. However, recorded soundscapes often contain a substantial amount of non-target events that may affect the performance. In this paper, we focus on the impact of these non-target events in the synthetic soundscapes. Firstly, we investigate to what extent using non-target events alternatively during the training or validation phase (or none of them) helps the system to correctly detect target events. Secondly, we analyze to what extend adjusting the signal-to-noise ratio between target and non-target events at training improves the sound event detection performance. The results show that using both target and non-target events for only one of the phases (validation or training) helps the system to properly detect sound events, outperforming the baseline (which uses non-target events in both phases). The paper also reports the results of a preliminary study on evaluating the system on clips that contain only non-target events. This opens questions for future work on non-target subset and acoustic similarity between target and non-target events which might confuse the system.

Automated Audio captioning (AAC) is a cross-modal translation task that aims to use natural language to describe the content of an audio clip. As shown in the submissions received for Task 6 of the DCASE 2021 Challenges, this problem has received increasing interest in the community. The existing AAC systems are usually based on an encoder-decoder architecture, where the audio signal is encoded into a latent representation, and aligned with its corresponding text descriptions, then a decoder is used to generate the captions. However, training of an AAC system often encounters the problem of data scarcity, which may lead to inaccurate representation and audio-text alignment. To address this problem, we propose a novel encoder-decoder framework called Contrastive Loss for Audio Captioning (CL4AC). In CL4AC, the self-supervision signals derived from the original audio-text paired data are used to exploit the correspondences between audio and texts by contrasting samples, which can improve the quality of latent representation and the alignment between audio and texts, while trained with limited data. Experiments are performed on the Clotho dataset to show the effectiveness of our proposed approach.

Sound event localization and detection consists of two subtasks which are sound event detection and direction-of-arrival estimation. While sound event detection mainly relies on time-frequency patterns to distinguish different sound classes, direction-of-arrival estimation uses magnitude or phase differences between microphones to estimate source directions. Therefore, it is often difficult to jointly train these two subtasks simultaneously. We propose a novel feature called spatial cue-augmented log-spectrogram (SALSA) with exact time-frequency mapping between the signal power and the source direction-of-arrival. The feature includes multichannel log-spectrograms stacked along with the estimated direct-to-reverberant ratio and a normalized version of the principal eigenvector of the spatial covariance matrix at each time-frequency bin on the spectrograms. Experimental results on the DCASE 2021 dataset for sound event localization and detection with directional interference showed that the deep learning-based models trained on this new feature outperformed the DCASE challenge baseline by a large margin. We combined several models with slightly different architectures that were trained on the new feature to further improve the system performances for the DCASE sound event localization and detection challenge.

We present the task description and discussion on the results of the DCASE 2021 Challenge Task 2. Last year, we organized unsupervised anomalous sound detection (ASD) task; identifying whether the given sound is normal or anomalous without anomalous training data. In this year, we organize an advanced unsupervised ASD task under domain-shift conditions which focuses on the inevitable problem for the practical use of ASD systems. The main challenge of this task is to detect unknown anomalous sounds where the acoustic characteristics of the training and testing samples are different, i.e. domain-shifted. This problem is frequently occurs due to changes in seasons, manufactured products, and/or environmental noise. After the challenge submission deadline, we will add challenge results and analysis of the submissions.